Taxis to Hell – and Back – Into the Jaws of Death, by Robert F. Sargent, via Wikimedia Commons In the mid-20th century, theorists like Roland Barthes and Pierre Bourdieu exploded naive notions of photography as “a perfectly realistic and objective recording of the visible world… a ‘natural language,’” as Bourdieu wrote in Photography: A Middlebrow Art .
Kaynak: Photo Archive Lets You Download 4,300 High-Res Photographs of the Historic Normandy Invasion